March 9th, 2010
Trent Kowalik came in on Sunday morning (I call it morning though it was 12:30... “morning” is the first call of the day, no matter the hour) for warm-up. He was on stand-by for Mikey. He said it didn’t feel real... that it didn’t seem like this could be his last day of Billy Elliot. He sang his Christina Aguilera riff for me. He’s been working on this riff for a few months now, and though at first it sounded a little like a moose call (always the reminders of the Great White North), this time I actually started to hear the music he was making! A graduation of sorts.
In the last three months Trent has become a young man. When we did the Macy’s Parade at the end of November he was still a boy: a bit skinny and gawky. Now his deep, distant, soft-brown eyes look right into mine on stage. His whole body is becoming thicker and stronger, and with that comes the accompanying pain of growing, of pushing this growing body through a grueling daily discipline of classes and warm-ups and rehearsals and shows. And it wouldn’t be warm-up without Trent complaining about the shape of his feet, or his lack of extension: “No. Really. Look...!”
At 6:30 came the warm-up for Trent’s last show. I came upstairs for the ballet barre and David Alvarez was there doing his plies and tendus. Double take. He’d come to see his friend’s final hours upon the stage. At least this stage. He threw his arms around me. (How great it is to have a fifteen year old boy throw their arms around you when they haven’t seen you in a while!!) David has been gone from the show for just over a month, but it is so apparent in his face and his body that he is now inhabiting a different world. He has graduated.
Trent was happy. Nervous, a bit terrified... but happy.
It felt like 1400 people had come to say goodbye to him. Stephen Daldrey took the stage first: Trent auditioned for Billy in 2005... since he is now 15, he has been involved with Billy Elliot for fully one third of his life! That gives you some perspective on what this graduation means. Trent holds two other distinctions: he has done the show on both the West End and on Broadway, and he is the longest running Billy in the history of the production. Okay three... lest we forget... he is the last of the three Tony Award winning Billys to leave the show.
Stephen was already crying at the end of the curtain speech.
These are sentimental occasions, there is no doubt. The audience was glued on Trent, and applauding his every move. They stopped the show four times with ovations. But I can honestly say I witnessed a momentous occasion in the theatre: at the end of the first act, within the context of the Riot, is Billy’s Angry Dance. This was Trent’s raison d’etre. I have never seen, nor can I imagine seeing, such a young person commit so deeply to expression through movement. Every tap of his toe or heal, every lateral stretch, every run, every leap was powered directly from the core of his being. IT WAS AWESOME!!! Stunning. I watched it on the monitor backstage, so I can only imagine what it was like sitting in the house! I do know that Kate Dunn, our associate choreographer, came backstage bawling. And Trent came back to towel down, change his costumes, and get on with the second act.
Each dance brought us closer to the inevitable reality of the goodbye scenes: I looked like Alice Cooper by the end of Last Class, the ache of keeping a brave face dissolving into open weeping; Trent’s bouquet delivered in the curtain call by his chum and kindred spirit, Tessa Netting; Phil Whitchurch as Dad, giving Trent back to his family and then getting trapped downstage of the curtain as it came flying in!! Happy Trails was sung into the stunned face of this young man. He had the courage and the composure (just) to give us a little farewell speech. And after Trent had said his goodbyes to all the folks on stage (which took 20 minutes) he went out to greet the THRONG of fans that were waiting at the Stage Door to catch their final glimpse of this Tony Award-winning Broadway Star.
I met him on the stairs on my way out. Another hug. I’ll see him next week apparently. He’s going to keep tutoring here with the boys till the end of the school year. That makes this ol’ teacher very happy.










By Kate Hennig 